The buxom Savita Bhabhi type (played by Tamhankar, saved in the cell-phone under that monicker), fulfilling the earth-mother-fecund- nourisher stereotype the dry-faced game-playing looking-for-afternoon-action type: all tropes. The sweet virginal college kid type (Saxena). The women are written as a clutch of clichés, too. Through all of this, we get no special insights into this kind of male, who grows in years but not in sexual or any other kind of maturity. The existence of sex addicts is well-documented, and Mandar’s journey is much too generic : the first experience of an ‘adult’ film, the going through a string of women, the reaching the point of wanting to stay, not stray. The trouble with ‘Hunterrr’ is that it is largely banal. And how he progresses, from a panting teen to a horny young fellow to an adult with uncontrolled lust, where after sowing ‘hundred, not out’, wild oats, he is looking to settle. The film zigs into the past, zags to the present, jumps back a little, repeating this pattern while showing us how he gets into the sex thing in the first place. So there goes our Mandar, tracing a confusing timeline. That he also equates it to daily elimination, which is also `a need’, sets the tone for ‘Hunterrr’ : that it will state the obvious, and underline it. Mandar Ponkshe ( Devaiah), whose name itself suggests mild lewdness going by the reaction of his two best friends, makes the connection between sex-and- physical-need. Send us your feedback and suggestions at. Sign up for Free and get daily updates on New Videos, exclusive Web Shows, contests & much more The film concludes with Mandar very happy as he is getting married to the girl he loves as he narrates the mishaps between Tripti and himself to his cousin Dilip 'Its a physical need' he philosophises, whereas love is a different ball game and isn't necessary for sex. In turn, Mandar explains his philosophy about sex as a purely physical act, somewhat akin to the satisfaction of the 'perfect' bowel movement. The movie opens with one such scene where his friends tell him to get married as he is too old to screw around. In his early 30s, he is only interested in 'scoring' one night stands while his friends are all married with kids. Mandar Ponkshe (Gulshan Devaiah), is an atypical youth, a sex addict and a player.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |